Monday, November 28, 2016

Relief Printing Workshop at St. FX in Antigonish

For the second time this year I had the pleasure of being invited to travel to St. FX University in Antigonish, NS, to teach a Reductive Relief printmaking workshop that was open to the public. As the first time, the workshop was full and it was a real pleasure to work with so many interested and excited participants. 



Paper ready. 



Materials ready. 


My Artwork laid out on display.
AAAAND off we go!





The first layers were finished and printed in the early afternoon. 



Anna carved and printed her second layer, to create the floating ice effect.




Heather carving her second layer on the mug.




Various mug experiments. 



Mug with green background. 


Leah printed a proof and decided to make changes on her second layer.

Well done! Beautiful results! 


Inking stations. 


The second layers are being carved.


Birch woods, Noela's second layer printed. 


With the Komatex it was easier for inking purposes to cut out the background completely. As long as the corner she is registering was still left behind.

Rosemary is delighted with her finished print! Well done! 


Anna's print. She is using the komatex mostly like an etching plate, scratching into with an etching needle, it create a beautiful white line drawing. 



For the second layer Anna carved a lot more. 


She also printed the second layer with black on a few sheets to test the different effect. 



Kate carving a complex image. 


Sherron cut out the shape to make inking easier, and then placed the shape back into the white frame for registration purposes. 


Odile's Cuba tribute.

Thank you to Kate Georgallas for inviting me, the Society of Antigonish Printmakers and the St. FX art department for the opportunity. I enjoyed my stay immensely. See you next time! 

Wednesday, November 16, 2016

Block Printing for the Soul workshop at NSCCD




On November 5th, 6th, 12th and 13th I taught a "Block Printing for the Soul" class at the Nova Scotia Centre for Craft and Design at the Halifax Seaport. This and 2 other classes will be offered again early next year, I believe registration for those will open fairly soon.

The first weekend we focussed on black and white linocut carving, tools, proofing and then editioning them by hand with various different barrens.


Jeff's angry cat linocut that went from angry cat to angry cat with tongue sicking out to angry cat chewing cockroach to furry cat eyes over the span of two days of carving. I always love it when students really experiment with the medium while learning how to use the tools and 



Jeff's little print carved from Komatex. 



Patsy experimenting with letters and textures on her first linocut print. 




much carving and testing with graphite rubbing going on


David working on his Galaxy print.


Progression of proofs. Always fabulous to see how the images change throughout the carving process. 




David uses a paper stencil to keep the white paper edge clean. 


Finished handprinted linocut print. 





David's finished block and handprinted edition of three.




The second weekend, I brought along my printing press and taught my three students how to do reductive block printing. 



As always the Akua inks are working beautifully throughout the workshops. 


Everyone is very excited to learn how to use my little table top printing press. 




Jeff's beautiful pull of layer number 2. 


Registration of block to the paper is extra important when working with multiple colour layers in printmaking. Jeff's print is a good example of various problems you can run into with mis-registration to inconsistent inking. 



Here is his second layer printed on it's own in Magenta. 



David's reference image. 


David's first layer carved and proofed.




Inking his carving. 



David and Jeff's first layer printed. 



Patsy's first layer in blue. 


David's magenta layer printed and registered to the yellow layer. 



David's inked Magenta block. 



David cleaning excess ink of the carved edges of his block. 


Patsy inking her block in blue. 





Patsy's second and final layer was black. 



On the bottom left both layers printed together.